Welcome
Welcome, finally, to my website. Here's info on me, my books and other writings, what I'm up to, and the inevitable deeply self-absorbed blog. Visit, graze, leave a comment, then go out into the sunshine and read.
Welcome, finally, to my website. Here's info on me, my books and other writings, what I'm up to, and the inevitable deeply self-absorbed blog. Visit, graze, leave a comment, then go out into the sunshine and read.
Quick note about how I didn't make it past the interval of Mrs Affleck at the National last night. Extremely well-acted but turgid beyond belief. It's based on Ibsen's Little Eyolf, but transplanted in a way that doesn't make moment-by-moment sense. There's an invasion by a leather-jacketed mod that goes on for ages and isn't remotely plausible, even if we're meant to take it symbolically.
Also, it's set in someone's back kitchen, but there was a special 25-minute interval for a huge set change, which seemed (before I fled) to be little more than mirrors for the seashore. If they can remodel the underworld in His Dark Materials in 15 minutes, you have to think a kitchen would be less of a challenge.
Instead, go see The Wrestler with Mickey Rourke. A bit by-the-numbers plotwise, but Darren Aronofsky's a genius, and Mickey Rourke and Marisa Tomei are spectacularly touching. Good stuff.