Welcome
Welcome, finally, to my website. Here's info on me, my books and other writings, what I'm up to, and the inevitable deeply self-absorbed blog. Visit, graze, leave a comment, then go out into the sunshine and read.
Welcome, finally, to my website. Here's info on me, my books and other writings, what I'm up to, and the inevitable deeply self-absorbed blog. Visit, graze, leave a comment, then go out into the sunshine and read.
I saw the swanky new production of Twelfth Night by the excellent people at the Donmar Warehouse as part of their West End season. Oooh, he's a talented lad, that Michael Grandage, I must say.
Shakespeare (sorry to shock you) usually bores the socks off me onstage because it becomes, after a time (and with actors who are merely okay) like watching a foreign film without subtitles. But when it's well done, as in Twelfth Night, it's actually rather good, isn't it? A brisk, sunny, very funny two and a half hours, with Derek Jacobi ACTING his way through Malvolio.
Where I think they make an error. Jacobi is so good as Malvolio, you begin to rather like him, and his humiliation isn't the laugh-fest it's meant to be. I felt he was wronged, and at the end, when he vows revenge, it felt like something was left undone rather than the last grandiosity of a pompous ass. An miscalculation, I think. But worth seeing, definitely. Good luck getting a ticket, though.
As for the rather remarkable news that Alexandra's version of Hallelujah looks to be Christmas number one and Jeff Buckley's Hallelujah is going to end up Christmas number two, can I just say how irritating those smug Jeff Buckley fans are? Just because you're pretty and you die young doesn't make you an untouchable saint. I prefer Rufus' version anyway and am more than happy that Leonard is going make a packetful.